Canon EOS R6 Mark II Overview


The brand new Canon EOS R6 Mark II is a mid-range full-frame mirrorless digicam which replaces the unique EOS R6 that was initially launched in 2020.

The R6 II utilities a brand new 24.2 megapixel CMOS sensor which affords a 20% improve in decision in comparison with its 20 megapixel predecessor.

It affords a class-leading burst capturing charge of 40fps with the digital shutter, double that of its predecessor, making it Canon’s quickest ever full-frame mirrorless digicam, surpassing even the usual 30fps mode supplied by the range-topping EOS R3.

Different key options embody the most recent DIGIC X processor, 6K/60p limitless video recording, 8-stops of IBIS, expanded 50-204,000 ISO vary, improved AI monitoring which moreover recognises horses, plane and trains, new OVF simulation mode, twin SD UHS II card slots, 5GHz wi-fi and Bluetooth 5.0, and webcam and dwell streaming assist.

The Canon EOS R6 Mark II physique solely is on the market now priced at £2,779.99 / €3,149.99 / $2,499.00 within the UK, Europe and US respectively. It’s designed and made in Japan.

Ease of Use

Canon EOS R6 Mark II

Wanting on the EOS R6 Mark II alongside the unique mannequin, you would be very onerous pressed to inform it aside from its 3-year-old predecessor.

Canon have modified a couple of elements of the exterior management structure, most notably including a brand new On/Off/Lock swap on the right-hand-side of the top-plate and a brand new Digital camera/Film swap on the left, however in any other case the 2 fashions are nearly indistinguishable, apart from the addition of Mark II to the entrance nameplate.

This lack of change for modifications sake does imply that in case you’re an unique EOS R6 proprietor, you will really feel immediately at house utilizing this new model. There are additionally no quirky multi-controllers or multi-function contact bars right here to impress controversy, with the R6 II having a way more typical management structure that is very a lot within the lengthy custom of earlier EOS cameras, mirrorless and DSLR alike.

Regardless of the Canon EOS R6 Mark II utilising a principally polycarbonate physique, impressively it nonetheless affords the identical degree of weather-proofing because the EOS 6D Mark II and the 5D Mark IV DSLR cameras.

Subsequently it advantages from being each light-weight – 588g body-only or 670g with each a battery and reminiscence card fitted (10g lighter than the unique R6) – and absolutely weather-sealed. It measures 138.4 × 98.4 × 88.4 mm, making it a whopping 1mm larger than the R6!

The Canon R6 II advantages from having a really deep handgrip that comfortably accommodates 4 fingers, one thing that may’t be mentioned of plenty of mirrorless cameras that undergo from having too small a grip.

The minimalist entrance plate sports activities only a single management – the traditional Depth of Discipline preview button, which helps you identify what your images will appear like earlier than the picture is taken. There’s additionally a porthole for the AF help gentle and a lozenge formed button for releasing the lens.

Canon EOS R6 Mark II

On the coronary heart of the EOS R6 Mark II is a model new 24.2 megapixel CMOS sensor which affords a 20% improve in decision in comparison with its predecessor.

This could reply a number of the critics of the unique mannequin’s extra modest 20 megapixel sensor, though inevitably there will probably be requires much more decision to have been supplied.

We predict that 24 megapixels is the candy spot for this class of digicam, although, particularly given the blistering burst capturing speeds that the R6 II affords.

The ISO vary nonetheless runs from 100-102,400, which may be additional expanded as much as ISO 204,800 and right down to ISO 50, identical to on the unique mannequin.

The Canon EOS R6 Mark II once more incorporates 5-axis In-Physique Picture Stabilisation (IBIS). It has been designed to work collaboratively with the IS system that is constructed into many RF-mount lenses, with the lens and the sensor working collectively to right pitch and yaw and the sensor correcting the X-Y and roll actions.

This clever stabilisation system offers as much as a frankly unbelievable 8-stops of stabilisation when the digicam is paired with sure lenses, permitting you to hand-hold the digicam for as much as 4 seconds
and nonetheless get critically sharp outcomes.

Even some non-stabilised lenses such because the RF 85mm F1.2L USM or RF 28-70mm F2L USM supply 8 stops of stabilisation once they’re mounted on the EOS R6 Mark II, because of the big 54mm diameter of the of the RF Mount.

Canon EOS R6 Mark II

The EOS R6 Mark II may stabilise older, non-IS lenses together with any EF lens that’s fitted to the R6 II through the Canon EF-EOS R mount adapter. The stabilisation system can even work with lenses from different producers – you simply must enter the focal size into the digicam’s menu system.

In follow, the EOS R6 Mark II and the RF 24-105mm F4 L IS USM lens that we have been despatched for testing supplied as much as the headline grabbing 8-stops of stabilisation – it actually is feasible to hand-hold this mixture at beforehand impossibly sluggish shutter speeds and nonetheless keep important sharpness.

The Canon R6 II now affords a class-leading burst capturing charge of 40fps with the digital shutter, double that of its predecessor. It might probably additionally shoot at 12fps with the mechanical shutter, each modes supporting full auto publicity (AE) and auto focus (AF) monitoring.

There is a tiny quantity of viewfinder and LCD blackout between every body when capturing at 40fps, however it’s barely discernible to the bare eye.

Extremely the R6 Mark II can file 1,000 or extra compressed uncooked pictures when capturing at 12fps earlier than its buffer turns into full. The buffer is far smaller when utilizing the 40fps mode at 190 JPEGs, 140 Compressed Raws, or 75 Uncompressed RAWs.

There’s additionally a brand new Uncooked burst mode by which the digicam can shoot at 30fps with 0.5 seconds of pre-capture built-in which ought to assist much more with capturing that decisive sporting or wildlife second.

The R6 II is the primary Canon digicam to function the subsequent era Twin Pixel CMOS AF II focusing system for each stills and video. Billed because the world’s quickest AF, the digicam is able to focusing in as little as 0.05 seconds.

Canon EOS R6 Mark II

It affords 4,897 manually selectable and 1,053 mechanically selectable AF factors with 100% body protection.

Impressively the EOS R6 Mark II may focus in gentle ranges as little as -6.5EV (when used with an F1.2 lens), which is an actual boon to low-light capturing/

Because of its Digic X processor and new sensor, the EOS R6 Mark II even higher deep-learning based mostly computerized face, eye and animal AF monitoring modes than the R6 Mark I.

The improved AI monitoring now moreover recognises horses, plane and trains in addition to the people, canines, cats and birds that the unique model may mechanically detect.

Cleverly, if the digicam is about to Face-only AF and the tracked topic exits the body, it will not mechanically then give attention to the background, as a substitute re-focusing on the face when it reenters the scene.

The newer mannequin additionally now includes a particular auto-select mode for topics, plus the identical Versatile AF mode from the EOS R3, and eye monitoring now capabilities in all AF modes.

There is a new On/Off/Lock swap on the suitable hand aspect of the top-plate, with the digicam leaping into life virtually immediately, and a brand new Digital camera/Film swap over on the left. The multi-controller on the rear has been subtly redesigned, and Canon’s newest multi-function shoe has been applied.

In any other case you will really feel immediately at house with the Mark II model in case you’re upgrading from the unique R6.

Canon EOS R6 Mark II

There is a small however responsive shutter launch button on the high of the handgrip, with the tiny M-Fn behind it. This offers fast entry to a number of the digicam’s key controls, together with ISO, steady capturing, AF, white stability and publicity compensation.

Behind that’s the entrance management dial for principally setting the aperture or shutter velocity, with a small, pink one-touch film file button behind it sitting happy with the digicam physique.

The Lock button on the EOS R6 has now been included into the Off/Lock/On swap on the brand new EOS R6 Mark II. As its identify suggests, this locks the 2 management dials on high of the digicam and the rear management wheel with the intention to’t by accident change the digicam’s key settings.

Finishing the highest of the digicam is the rear management dial that is ideally positioned for thumb operation and the brand new Digital camera/Film swap on the left, which makes it way more intuitive to modify between these two capturing modes.

The Canon R6 II affords two model new capturing modes – a number of publicity mode (JPEGs solely) and a Panorama mode, as beforehand seen on the lately launched EOS R7. It additionally affords in-camera focus bracketing which will probably be an enormous pull for a lot of stills photographers.

Turning to the rear of the Canon R6 II, it affords an array of controls that will probably be immediately acquainted to anybody who has used an EOS 5-series DSLR digicam earlier than, together with the traditional Canon management wheel. There’s additionally a barely redesigned joystick that is a bit more tactile than the one discovered on the EOS R6.

Alongside the Menu backside on the far left is the Price button, which lets you assign star rankings to your pictures throughout playback (Off, 1-5 stars).

The EOS R6 Mark II has precisely the the 0.5-inch 3.69 million dot EVF because the EOS R6, which remains to be spectacular to look by way of, working as much as 120fps for minimal lag when capturing fast-moving topics.

The brand new mannequin now incorporates a particular OVF simulation mode, just like the one on the EOS R3, which makes use of HDR know-how to simulate a extra “real-world” view of the scene.

Canon EOS R6 Mark II

One of many fundamental management improvements on the EOS R6 Mark II is the inclusion of the traditional Canon management wheel with the SET button at its coronary heart, which will probably be immediately acquainted to anybody who has used a Canon EOS 5-series DSLR digicam earlier than.

The one on the EOS R6 Mark II really serves much less function than the one on the EOS 5-series, although, just because there are already two management dials on high of the digicam for setting the aperture and shutter velocity, and one on the RF lenses which may be usefully configured to regulate the ISO velocity, amongst different issues.

So the traditional Canon management wheel is principally used for shortly scrolling by way of the menu system and through picture playback as a substitute. Because the digicam additionally has a touch-screen, each of those capabilities may be extra shortly and intuitively managed through contact, which does beg the query as to why Canon determined to incorporate the management wheel in any respect.

The EOS R6 Mark II has precisely the identical 3-inch, 1.62 million dot, vari-angle LCD display screen as on the unique mannequin, which tilts out to the aspect and faces forwards for extra handy vlogging and selfies. It may also be usefully folded flat in opposition to the again of the digicam to guard it when in transit in a digicam bag.

A proximity sensor is situated straight beneath the viewfinder, which mechanically switches between the EVF and LCD display screen. When the LCD display screen is swung outwards, the EVF is cleverly turned off mechanically.

A tilting LCD display screen at all times helps to encourage capturing from inventive angles and it additionally helps make the EOS R6 Mark II ideally suited to movie-shooting.

As talked about above, the LCD display screen is touch-sensitive, permitting you to regulate every little thing from setting the AF level and firing the shutter, navigating the menu programs and looking your pictures throughout playback. It is a very exact, responsive system that is a veritable pleasure to make use of.

Canon EOS R6 Mark II

Alongside the rear joystick are three traditional Canon controls – the AF-On button for individuals who want back-button focusing, the Auto-exposure Lock button (denoted by a star) and the AF space choice button which makes it simpler to modify the autofocus level when holding the digicam to your eye.

Beneath the AF-On button are a cluster of three buttons – the Magnification button, Data Button and the Fast button which opens the Fast Management display screen, which offers immediate entry to 10 key digicam controls.

Finishing the rear of the EOS R6 Mark II are the self-explanatory Playback and Delete buttons situated beneath the rear management wheel.

On the suitable hand-side of the digicam is the reminiscence card compartment. The EOS R6 Mark II continues to assist two SD UHS II playing cards through twin slots, and you may select to file to each playing cards concurrently.

Provided that it will probably now shoot at 40fps, it might have been nice if the sooner CFExpress normal had been included, however perhaps that is one thing that we’ll see on a future Mark III.

On the left hand-side of the digicam are three rubber flaps housing 5 totally different connections. The Canon EOS R6 Mark II has a microphone port, headphone jack, distant management port, USB-3 port and a mini HDMI connection – all of the issues that any fanatic photographer or videographer would wish from a connectivity perspective, apart from a full-size HDMI port.

The R6 II continues to make use of the identical LP-E6NH lengthy life battery that can also be equipped with the unique R6, however Canon have by some means managed to considerably prolong the CIPA-rated battery life from 380 photographs when utilizing the EVF to 450, and from 510 photographs when utilizing the LCD display screen to 760.

If one battery is not sufficient for you, the EOS R6 Mark II is appropriate with precisely the identical BG-R10 Battery Grip that its predecessor supported, once more making upgrading simpler.

Canon EOS R6 Mark II

It provides customers the power to energy the R6 II utilizing two batteries (LP-E6/N/NH) and in addition affords duplicate controls for simpler vertical capturing. Observe that the batteries do must be charged while the grip is fitted on-camera.

The Canon EOS R6 II can file 4K video as much as 60p in 10-bit, achieved by way of oversampling from 6K, promising barely higher high quality than the unique R6 which oversampled from 5.1K. It additionally ups the ante considerably by providing 6K/60p ProRes Uncooked recording, however solely externally through HDMI relatively than internally.

1080p slow-motion recording remains to be obtainable with AF assist, however the most body charge has been elevated as much as 180fps on the brand new mannequin. There’s additionally now not a 30-min time restrict on recording as on the unique R6 and Canon declare that rolling shutter has been lowered.

Cleverly, if the digicam is about to Face-only AF and the tracked topic exits the body, it will not mechanically then give attention to the background, as a substitute re-focusing on the face when it reenters the scene.

The Mark II R6 additionally affords a number of new video options like focus respiration correction, a false color publicity help, a 3/5 second pre-recording perform, CLog3 profile, and a fast management display screen only for video.

With built-in up to date Bluetooth v.5 and Wi-Fi (5GHz) assist, the EOS R6 Mark II may be simply linked to a smartphone and networks permitting high-speed file sharing and FTP/FTPS switch.

The R6 II may also be remotely managed utilizing Canon’s Digital camera Join 3.0.0 and EOS Utility apps and tethered to a PC or Mac through Wi-Fi or high-speed USB 3.2. It additionally now affords the power to function each as a webcam or for dwell streaming through UVC/UAC.

Picture High quality

All the pattern pictures on this overview have been taken utilizing the 24 megapixel Effective JPEG setting, which supplies a median picture measurement of round 8Mb.

The Canon EOS R6 Mark II produced nonetheless pictures of excellent high quality in the course of the overview interval.

This digicam produces noise-free JPEG pictures from ISO 50 all the way in which as much as ISO 12800, with noise first showing at ISO 25600. The sooner settings of 51200 and 102400 show numerous noise, however they’re nonetheless effective to make use of for making smaller prints and internet pictures. Even the quickest expanded setting of ISO 204800 can be utilized at a push.

The EOS R6 Mark II proved to be very succesful in low-light, with the utmost shutter velocity of 30 seconds and the Bulb mode permitting you to seize sufficient gentle in all conditions.

The varied totally different Image Kinds and Inventive Results are an actual profit, all of which may be previewed earlier than you’re taking the shot, as are the HDR settings, focus stacking and a number of publicity modes.

Help for the most recent HEIF 10-bit file format remains to be just a little skinny on the bottom, however ought to supply a level of future-proofing if it is extra extensively adopted.


ISO sensitivity may be set between ISO 50 and ISO 204800 in full-stop increments. Listed here are some 100% crops which present the noise ranges for every ISO setting, with JPEG on the left and RAW on the suitable.


ISO 50 (100% Crop)

ISO 50 (100% Crop)

iso100.jpg iso100.jpg

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

iso12800.jpg iso12800raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)

iso25600.jpg iso25600.jpg

ISO 51200 (100% Crop)

ISO 51200 (100% Crop)

iso51200.jpg iso51200.jpg

ISO 102400 (100% Crop)

ISO 102400 (100% Crop)

iso51200.jpg iso51200.jpg

ISO 204800 (100% Crop)

ISO 204800 (100% Crop)

iso51200.jpg iso51200.jpg

File High quality

The Canon EOS R6 Mark II has three totally different file high quality settings – Uncooked, Effective and Regular. Listed here are some 100% crops which present the distinction.

Effective (8.1Mb) (100% Crop) Regular (4Mb) (100% Crop)
quality_fine.jpg quality_normal.jpg
RAW (25.9Mb) (100% Crop)


In contrast with the 8 bits (256-level greyscale) of the JPEG format, HEIF is able to storing picture information at 10 bits (1024-level greyscale) or greater, and in addition helps the Rec. 2020 normal, which boasts an especially large colour gamut.

What’s extra, HEIF is appropriate with the HEVC (H.265) codec, which affords a better compression effectivity in storage in contrast with JPEG recordsdata of the identical picture high quality.






The Canon EOS R6 Mark II’s HDR Mode captures three totally different exposures and combines them into one, retaining extra shadow and spotlight element, with an Auto mode, three totally different strengths and a number of other forms of HDR type obtainable.

A number of Publicity

The EOS R6 Mark II’s a number of publicity mode means that you can take between two and 9 pictures and merge them right into a single picture in-camera.


Image Kinds

Canon’s Image Controls are preset combos of various sharpness, distinction, saturation and color tone settings. The EOS R6 Mark II’s seven obtainable Image Controls are proven beneath within the following collection, which demonstrates the variations. There are additionally three Person Outlined styes with the intention to create your individual look.







Effective Element








Inventive Filters

The Inventive Filters capturing mode affords 10 totally different choices to assist boost your JPEG pictures.

Pattern Photos

It is a collection of pattern pictures from the Canon EOS R6 Mark II digicam, which have been all taken utilizing the 24 megapixel Effective JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any manner.

Pattern RAW Photos

The Canon EOS R6 Mark II permits customers to seize RAW and JPEG format recordsdata. We have supplied some Canon RAW (CR3) samples so that you can obtain (thumbnail pictures proven beneath are usually not 100% consultant).

Pattern Films & Video

It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please be aware that this 20 second film is 595Mb in measurement.

It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please be aware that this 15 second film is 613Mb in measurement.

It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please be aware that this 16 second film is 633Mb in measurement.

It is a pattern 4K film on the high quality setting of 3840×2160 at 50 frames per second. Please be aware that this 16 second film is 632Mb in measurement.

It is a pattern 4K film on the high quality setting of 3840×2160 at 25 frames per second. Please be aware that this 15 second film is 314Mb in measurement.

It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please be aware that this 26 second film is 99Mb in measurement.

It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please be aware that this 22 second film is 82Mb in measurement.

It is a pattern slow-motion film on the high quality setting of 1920×1080 at 180 frames per second. Please be aware that this 25 second film is 95Mb in measurement.

Product Photos

Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II
Canon EOS R6 Mark II


The brand new Canon EOS R6 II is a stable relatively than spectacular improve of the 2-year-old unique R6., however contemplating that the 2020 mannequin was already so good, that is definitely no dangerous factor.

Canon have sensibly chosen to refine, relatively than revolutionize, what was already a really succesful digicam, principally enhancing its burst capturing capabilities and auto-focus system together with incorporating 20% extra decision, extra succesful video and improved connectivity.

Canon have tweaked a couple of issues externally, most notably implementing the brand new On/Off/Lock and Digital camera/Film switches, however in any other case the 2 fashions are nearly indistinguishable, which is not any dangerous factor in case you’re upgrading from the already logically thought out unique.

With the sports-focused EOS R3 and 8K-shooting R5 positioned above it within the Canon hierarchy, it is maybe simple to miss the R6 II, however it might be a mistake to try this as that is essentially the most well-rounded mannequin within the line-up.

The R6 continues to be a way more reasonably priced proposition that also delivers virtually every little thing that an fanatic photographer or videographer may presumably need, buoyed by the addition of the brand new sensor, 40fps burst capturing, extra versatile auto-focusing and limitless video recording.

Total, the brand new R6 Mark II is a wise evolution of a an already nice digicam, including sufficient new options and additional efficiency to maintain it each aggressive and nonetheless worthy of our highest 5-star Important award.

5 stars

Scores (out of 5)
Design 5
Options 5
Ease-of-use 4.5
Picture high quality 5
Worth for cash 4.5

Principal Rivals

Listed beneath are a number of the rivals of the Canon EOS R6 Mark II.

The Canon EOS R3 is an expert full-frame mirrorless digicam for sports activities and motion photographers that includes a 24 megapixel stacked BSI sensor, 6K/60p Uncooked and 4K/120p video recording, 30fps burst capturing, eye-control autofocusing and a dual-grip design. Learn our in-depth Canon R3 overview full with full-size pattern images and movies to seek out out simply what the all-action R3 is able to…

The EOS R5 has been the most popular full-frame digicam on the block ever since Canon pre-announced it again at the beginning of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it a couple of occasions since then, however now we will lastly carry you our last Canon R5 overview, full with full-size pattern images and movies!

The EOS R6 is the most effective ever Canon mirrorless digicam – there, we mentioned it! If you wish to discover out why, stick with it studying our in-depth Canon EOS R6 overview, full with full-size pattern images and movies.

Canon is again within the APS-C sport with the much-anticipated launch of the EOS R7, a really succesful prosumer digicam with a transparent give attention to velocity. Billed because the mirrorless successor to the a lot beloved EOS 7D Mark II DSLR, does the brand new R7 have what it takes to compete in opposition to the likes of Fujifilm and Sony? Discover out now by studying our in-depth Canon R7 overview…

The X-H2S is the quickest, most succesful APS-C sensor digicam that Fujifilm have ever launched, however it’s additionally by far the costliest. Discover out precisely what this new flagship digicam is able to and who it is geared toward by studying our full Fuji XH2S overview full with full-size JPEG, Uncooked and video samples.

The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Are these modifications sufficient for it to compete with its fundamental rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II overview, full with full measurement pattern images and movies…

The brand new OM-1 flagship is each the final ever Olympus digicam and the primary ever OM System digicam. Confused? Nicely no want to fret, as we take an in-depth take a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 overview, full with full-size pattern images and movies…

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digicam that you just want. Discover out why we expect this is among the finest all-round cameras of 2021 by studying our in-depth Sony A7 IV overview…

Overview Roundup

Evaluations of the Canon EOS R6 Mark II from across the internet.

What did not Canon embody on this digicam? It has 6K video, an EOS R3-beating capturing velocity, the most effective IBIS within the enterprise, and astounding brand-new AI autofocus modes. That is hands-down the most effective digicam you should buy proper now on this worth vary. It’s even nipping on the heels of its huge brother the Canon EOS R5. Actually, solely its decrease megapixel depend and its slower SD playing cards are holding it again from being a real challenger.

Learn the complete overview »

The Canon EOS R6 Mark II is a high-performing, mid-priced digicam physique that delivers excellent full-frame picture high quality at medium-high decision. This digicam targets content material creators, these presently utilizing a DSLR, and people searching for a general-purpose digicam that does every little thing nicely, together with preserving household recollections.

Learn the complete overview »


Picture Sensor

  • Sort 35.9 x 23.9 mm CMOS
  • Efficient Pixels Approx. 24.2megapixels
  • Whole Pixels Approx. 25.6 megapixels
  • Facet Ratio 3:2
  • Low-Cross Filter Constructed-in/Mounted
  • Sensor Cleansing EOS built-in cleansing system
  • Color Filter Sort Major Color
  • Sensor Shift-IS Sure, as much as 8-Stops benefit relying on the lens used 1

Picture Processor


  • Lens Mount RF (EF and EF-S lenses may be hooked up utilizing: Mount Adapter EF-EOS R, Management Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R) EF-M lenses are usually not appropriate
  • Focal Size Equal to 1.0x the focal size of the lens with RF and EF lenses 1.6x with RF-S and EF-S


  • Sort Twin Pixel CMOS AF II
  • AF System / Factors 100% horizontal and 100% vertical with Face + Monitoring and Auto Choice modes 100% horizontal and 90% vertical with guide choice and huge zone modes 2
  • AF Working Vary EV -6.5 – 21 (at 23°C & ISO100) 3
  • AF Modes One Shot, Servo AF, AI Focus AF
  • AF Level Choice Automated choice: 1053 Obtainable AF areas when mechanically chosen,
    Guide choice: 1-point AF (AF body measurement may be modified) 4897 AF positions obtainable stills ( 4067 Films)
    Guide choice: AF level Enlargement 4 factors (up, down, left, proper)
    Guide choice: AF level Enlargement surrounding
    Guide choice: Versatile Zone AF 1-3 (all AF factors divided into minimal 9 to 999 most focusing zones)
  • AF Monitoring People, Animals (Canine, Cats, Birds and horses) or Autos (Racing automobiles or Motor bikes, Plane and Trains)
  • AF Lock Locked when shutter button is pressed midway or AF ON is pressed in One Shot AF mode. Utilizing customised button set to AF cease in AI servo
  • AF Help Beam Emitted by in-built LED or non-compulsory devoted Speedlite (flash)
  • Guide Focus Chosen on lens

Publicity Management

  • Metering Modes Actual-time with picture sensor, 384-zone metering.
    (1) Evaluative metering (linked to All AF factors)
    (2) Partial metering (approx. 5.9% of viewfinder at centre)
    (3) Spot metering: Centre spot metering (approx. 3% viewfinder at centre)- AF point-linked spot metering not supplied
    (4) Centre weighted common metering
  • Metering Brightness Vary EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
  • AE Lock Auto: AE lock takes impact when focus is achieved
    Guide: By AE lock button in P, Av, Fv, Television and M modes
  • Publicity Compensation +/-3 EV in 1/3 or 1/2 cease increments (may be mixed with AEB)
  • AEB +/-3 EV in 1/3 or 1/2 cease increments
  • Anti-flicker Capturing Sure. Flicker detected at a frequency of 100 Hz or 120 Hz. Most steady capturing velocity could lower obtainable with each digital and mechanical shutter
    Excessive Frequency anti flicker capturing for M and TV modes
  • ISO Sensitivity
    Auto 100-102400 (in 1/3-stop or 1 cease increments) ISO may be expanded to L:50, H:204,801


  • Sort Electronically-controlled focal-plane shutter and Digital shutter perform on sensor
  • Velocity Mechanical: 30-1/8000 sec (1/2 or 1/3 cease increments), Bulb
    Digital: 30-1/16000 (1/2 or 1/3 cease increments as much as 1/8000 then 1 cease to 1/16000) (Whole shutter velocity vary. Obtainable vary varies by capturing mode) 4
  • Shutter Launch Comfortable contact electromagnetic launch

White Stability

  • Sort Auto white stability with the imaging sensor
  • Settings AWB (Atmosphere precedence/White precedence), Daylight, Shade, Cloudy, Tungsten gentle, White Fluorescent gentle, Flash, Customized, Color Temperature Setting
    White stability compensation:
    1. Blue/Amber +/-10
    2. Magenta/Inexperienced +/-11
  • Customized White Stability Sure, 1 setting may be registered – From picture or Dwell View
  • WB Bracketing +/-3 ranges in single degree increments 3, 2, 5 or 7 bracketed pictures per shutter launch
    Selectable Blue/Amber bias or Magenta/Inexperienced bias


  • Sort 0.5-inch OLED color EVF
  • Dot Rely 3.69 Million dots
  • Protection (Vertical/Horizontal) Approx. 100%
  • Magnification Approx. 0.76x 5
  • Eyepoint Approx. 23mm (from eyepiece lens centre)
  • Dioptre Correction -4 to +2 m-1 (dioptre)
  • Show Efficiency Energy saving: 59.94 fps Clean 119.98 fps , supress low body charge 60 -119.8fps 6
  • Viewfinder Info Shutter velocity, Aperture, ISO velocity, AF level data, Publicity degree indicator, Variety of remaining exposures, Publicity compensation, Battery degree, Digital shutter, HDR capturing, Spotlight tone precedence, A number of-exposure capturing, Self-timer capturing mode, Most burst, AF technique, Topic to Observe setting, Publicity simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker capturing, Nonetheless/video cropping, Capturing mode, Facet ratio, Scene icons Auto Lighting Optimizer, AE lock Image Model, Flash-ready, White stability, FE lock, Picture High quality, Excessive-speed sync, Bluetooth perform, Wi-Fi on/off, Histogram, Digital degree, Focus distance scale in guide focus, SA management ring setting, IS system.
    Audio Stage – Guide (video), recording time remaining (video), headphone degree (video), Video recording decision body charge and compression (video) Rec indicator (video), Overheat indicator ( Video)
  • Depth of Discipline Preview Sure, through customised button or with “Publicity +DOP” ( as much as F8)
  • Eyepiece Shutter N/A

LCD Monitor

  • Sort 7.5cm (3.0″) Clear View LCD II, approx. 1.62 million dots
  • Protection Approx. 100%
  • Viewing Angle (Horizontally/Vertically) Approx. 170° vertically and horizontally
  • Coating Anti-smudge.
  • Brightness Adjustment Guide: Adjustable to one among seven ranges Color Tone Adjustment: 4 settings
  • Contact Display Operations Capacitive technique with menu capabilities, Fast Management settings, playback operations, and magnified show. AF level choice in nonetheless and Films, contact shutter is feasible in nonetheless picture capturing.
  • Show Choices (1) Fundamental Digital camera settings
    (2) Advance Digital camera settings
    (3) Digital camera settings plus histogram and twin degree show
    (4) No information
    (5) Fast Management Display


  • Modes E-TTL II Auto Flash, Metered Guide
  • X-Sync 1/200sec mechanical shutter / 1/250th digital 1st curtain
  • Flash Publicity Compensation +/- 3EV in 1/3 or 1/2 cease increments with EX collection Speedlite flashes
  • Flash Publicity Bracketing Sure, with appropriate Exterior Flash
  • Flash Publicity Lock Sure
  • Second Curtain Synchronisation Sure through Speedlite
  • HotShoe / PC Terminal Sure/No
  • Exterior Flash Compatibility E-TTL II with EX / EL collection Speedlite, wi-fi multi-flash assist
  • Exterior Flash Management through digicam menu display screen


  • Modes Stills; Scene Clever Auto, Versatile precedence AE, Program AE, Shutter precedence AE, Aperture precedence AE, Guide, Bulb and Customized (x3)
    Film: Auto Publicity, TV, AV Guide and Customized (x3)
  • Image Kinds Auto, Commonplace, Portrait, Panorama, Effective Element, Impartial, Devoted, Monochrome, Person Outlined (x3)
  • Color House sRGB and Adobe RGB
  • Picture Processing Spotlight Tone Precedence (2 settings)
    Auto Lighting Optimizer (3 settings)
    Lengthy publicity noise discount
    Excessive ISO velocity noise discount (4 settings) (stills and video)
    Lens optical correction
    – Peripheral illumination correction, Chromatic aberration correction Distortion correction (throughout/after nonetheless picture capturing, throughout video solely)
    Diffraction correction,
    Digital Lens Optimizer (throughout/after nonetheless picture capturing solely)
    Focus Bracketing together with picture compositing
    Resize to M, S1, S2
    Cropping of pictures (JPEG/HEIF)
    – Facet ratios 3:2, 4:3, 16:9, 1:1 x1.6crop
    – Swap between vertical and horizontal cropping orientation
    – Picture straightening
    – Cropping body may be moved utilizing contact display screen operation
    RAW picture processing
    Twin Pixel RAW – Portrait Relighting, Background Readability ( in digicam)
    Uncooked Cloud processing
    A number of publicity
    HDR – with shifting topic supression
    HEIF to Jpeg conversion (single or batch)
  • Drive Modes Single, Steady Excessive+, Steady Excessive, Steady Low, Self timer (2s+distant, 10s+distant)
  • Steady Capturing Max. Approx. 12fps. with Mechanical shutter, velocity maintained for 1000+ JPEG or 110 RAW 1000 CRAW pictures.Max. Approx. 40fps. with Digital shutter 7, 8 velocity maintained for 190 JPEG or 75 RAW, 140 CRAW pictures
    RAW Burst 30fps with 0.3 or 0.5 seconds pre file for max approx 191 frames
  • Interval Timer Inbuilt

File Sort

  • Nonetheless Picture Sort JPEG: 2 compression choices
    RAW: RAW, C-RAW 14 bit (14-bit with Mechanical shutter and Digital 1st Curtain, 12-bit A/D conversion with Digital shutter, Canon unique RAW third version)
    HEIF: 10bit HEIF is on the market in HDR capturing with [HDR PQ] set to [Enable]
    Complies with Exif 2.31 and Design rule for Digital camera File system 2.0
    Complies with Digital Print Order Format [DPOF] Model 1.2
  • RAW+JPEG Simultaneous Recording Sure, any mixture of RAW + JPEG or RAW + HEIF potential
  • Picture Measurement 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x 2656, (S1) 2976x 11984, (S2) 2400 x 1600
    1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600
    4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x 1992 (S2) 2112 x 1600
    16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x 1680, (S2) 2400 x 1344
    1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x 1984, (S2) 1600 x 1600
  • Folders New folders may be manually created, named and chosen
  • File Numbering File Numbering
    (1) Consecutive numbering
    (2) Auto reset
    (3) Guide reset
  • File Naming 3 Person presets

EOS Film

  • Film Sort MP4 Video: 4K UHD, Full HD (16:9) 9 Audio: Linear PCM / AAC
  • Film Measurement 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25, 23.98fps) inter body (IPB) / (IPB Mild) 10
    4K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps) intra body (All-I)
    Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100, 59.94, 50, 29.97, 25, 23.98fps) inter body (IPB) / (IPB Mild) 11
    Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra body (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97, 25fps) intra body (All-I) 12
  • Color Sampling (Inside Recording) 4K/ Full HD – YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
  • Canon Log Sure, Canon Log 3
  • Film Size Max length 6 hours (excluding Excessive Body Price films, and energy and storage limitations ). 13
    Upto 5 seconds pre file potential.
    No 4GB file restrict with exFAT formatted SD card.
  • Excessive Body Price Film Full HD at 180fps, 150fps, 100fps or 119.9fps 14
    Recorded as 1/6-speed sluggish movement film
    Single scene most recording as much as approx 1 hour 180/150fps 1hour 30mins 120/100fps
  • Body Seize 8.3-megapixel JPEG/HEIF nonetheless picture body seize from 4K UHD film potential (HEIF solely potential when HDR PQ is about) >15
  • Bitrate / Mbps MP4 H.264 Canon Log Off
    4K (59.94p/50.00p): IPB Approx. 230 Mbps
    4K (59.94p/50.00p): IPB (Mild ) Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Mild ) Approx. 60 Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 180 Mbps
    Full HD (179.82p/150.00p): IPB (Mild) Approx. 105Mbps
    Full HD (119.88p/100.00p): IPB Approx. 120 Mbps
    Full HD (119.88p/100.00p): IPB (Mild) Approx. 70 Mbps
    Full HD (59.94p/50.00p): IPB Approx. 60 Mbps
    Full HD (59.94p/50.00p): IPB (Mild) Approx. 35 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps
    Full HD (29.94p/25.00p): IPB (Mild) Approx. 12 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps
    Full HDR Films (29.97, 25fps) IPB Approx. 30 Mbps
    MP4 H.265 Canon Log / HDR PQ: On
    4K (59.94p/50.00p): IPB Approx. 340 Mbps
    4K (59.94p/50.00p): IPB (Mild) Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Mild) Approx. 85 Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 270 Mbps
    Full HD (179.82p/150.00p): IPB (Mild) Approx. 150 Mbps
    Full HD (119.88p/100.00p): IPB Approx. 180 Mbps
    Full HD (119.88p/100.00p): IPB (Mild) Approx. 100 Mbps
    Full HD (59.94p/50.00p): IPB Approx. 90 Mbps
    Full HD (59.94p/50.00p): IPB (Mild) Approx. 50 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps
    Full HD (29.94p/25.00p): IPB (Mild) Approx. 28 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
  • Twin Card Recording sure
  • Microphone Constructed-in stereo microphone (48 Khz, 16-bit x 2 channels), exterior mic or Multi-Operate shoe together with XLR through Tascam CAXLR2dC
  • HDMI Show Output to exterior monitor solely (output of pictures and capturing data, pictures are recorded to the cardboard)
  • HDMI Output Digital camera display screen and Exterior Monitor output (no recording to the cardboard, digicam display screen reveals pictures with capturing data)
    4K (UHD) 59.94p / 29.97p / 23.98p,
    Full HD 59.94p / 59.94i, 50.00p / 50.00i
    480p 59.94p
    576p 50p
    Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound output through HDMI can also be potential
    6k upto 60p RAW to Atomos Ninja V+ recorded as ProRes RAW or 3.7k RAW with crop
  • Focusing Twin Pixel CMOS AF with Eye/Face Detection, Face solely and Animal Monitoring AF, Film Servo AF
    Guide Focus (Peaking and Focus Information obtainable)
  • ISO Auto: 100-6400, H: 204800
    Guide: 100-25600, H: 204801

Different Options

  • Customized Features 22 Customized Features
  • Metadata Tag Person copyright data (may be set in digicam)
    Picture ranking (0-5 stars)
    IPTC information (registered with EOS Utility or Cell File Switch app)
    Picture switch with caption (Caption registered with EOS Utility)
  • LCD Panel / Illumination No/No
  • Water/Mud Resistance Sure 16
  • Voice Memo No
  • Clever Orientation Sensor Sure
  • Playback Zoom 1.5x – 10x in 15 steps
  • Show Codecs (1) Single picture
    (2) Single picture with data (2 ranges)
    Fundamental – Capturing data (shutter velocity, aperture, ISO and Picture high quality)
    Detailed – Capturing data (shutter velocity, aperture, ISO, metering Picture, high quality and file measurement), Lens data, Brightness and RGB histogram, White stability, Image Model, Shade house and noise discount, Lens optical correction, GPS data, IPTC data
    (3) 4 picture index
    (4) 9 picture index
    (5) 36 picture index
    (6) 100 picture index
    (7) Soar Show (1, 10 or 100 pictures, begin of burst sequence, Date, Folder, Films, Stills, Protected pictures, Ranking, )
    (8) Film edit
    (9) RAW processing
    (10) Ranking
  • SlideShow Picture choice: All pictures, by Date, by Folder, Films, Stills, Protected pictures or Ranking
    Playback time: 1/2/3/5/10 or 20 seconds
    Repeat: On/Off
  • Histogram Brightness: Sure
    RGB: Sure
  • Spotlight Alert Sure
  • Picture Erase Single picture, choose vary, Chosen pictures, Burst sequence Folder, Card
  • Picture Erase Safety Erase safety of Single picture, Folder or Card all discovered pictures (solely throughout picture search)
  • Self Timer 4 or 10 sec.
  • Menu Classes (1) Capturing menu
    (2) AF Menu
    (3) Playback menu
    (4) Community
    (5) Setup menu
    (6) Customized Features menu
    (7) My Menu
  • Menu Languages 30 Languages
    English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese language, Conventional Chinese language, Korean, Malay, Indonesia and Japanese
  • Firmware Replace Replace potential by the person (Digital camera, Lens, Exterior Speedlite, BLE distant management, Lens adapter) through card or Digital camera join app


  • Pc SuperSpeed USB 3.2 Gen 2 USB C connector UVC/UAC assist Home windows / Mac OS appropriate with Zoom / Skype / Groups / Meet / Webex
  • Wi-Fi Wi-fi LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with Bluetooth v5.0 assist Options supported – EOS Utility, Smartphone, Add to Internet 17
  • Different HDMI micro out (Sort D), Exterior Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), E3-type terminal (distant management terminal), Multi-Operate shoe

Direct Print

  • Canon Printers Direct Print
  • PictBridge Not supported


  • Sort 2x SD/SDHC/SDXC and UHS-II

Supported Working System

  • PC Home windows 8.1 and Home windows 10, Home windows 11 (pill mode not supported)
  • Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x

Software program

  • Picture Processing Digital Picture Skilled 4.17. or later, Digital Picture Skilled Specific cell app ( iOS solely) (RAW Picture Processing not DUAL PIXEL RAW on DPP Specific moible)
  • Different EOS Utility 3.16 or later (incl. Distant Seize), Image Model Editor, EOS Lens Registration Instrument, EOS Internet Service Registration Instrument, Canon Digital camera Join V3.0 app, Cell File Switch app and app (iOS/Android)

Energy Supply

  • Batteries Rechargeable Li-ion Battery LP-E6NH (equipped)/LP-E6N
  • Battery Life With LCD Approx. 760 photographs (at 23°C)
    With Viewfinder Approx. 450 photographs (at 23°C) 18
  • Battery Indicator 7 ranges + proportion
  • Energy Saving Energy turns off after 30 seconds, 1, 3, 5, 10 or 30mins
  • Energy Provide & Battery Chargers Battery charger LC-E6E (equipped), AC Adapter AC-E6N and DC Coupler DR-E6, AC Adapter Equipment ACK-E6N/ACK-E6, Automobile Battery Charger CBC-E6, PD-E1 USB energy adapter


  • Wi-fi File Transmitter N/A
  • Circumstances / Straps N/A
  • Lenses All RF lenses (EF & EF-S through Lens adapters)
  • Lens Adapters Mount Adapter EF-EOS R
    Management Ring Mount Adapter EF-EOS R
    Drop-In Filter Mount Adapter EF-EOS R
  • Flash Canon Speedlite (EL-1, SPEEDLITE EL-5, EL-100, 90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX, Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT,Speedlite Transmitter ST-E3-RT V2, Speedlite Transmitter ST-E10)
  • Distant Controller / Swap Distant management with E3 sort socket and Wi-fi Distant Management BR-E1
  • Different BG-R10 battery grip, GP-E2 GPS receiver (digital compass not supported), Stereo Microphone DM-E1 / DM-E100, Multi-Operate Shoe Adapter AD-E1, Multi-Operate Shoe Directional Stereo Microphone DM-E1D, Multi-Operate Shoe Adapter for Smartphone Hyperlink AD-P1 for Android, Tascam CA-XLR2d-C XLR microphone adapter

Bodily Specs

  • Physique Supplies Magnesium Alloy chassis, outer panels are polycarbonate resin with glass fiber
  • Working Surroundings 2 – 40 °C, 85% or much less humidity
  • Dimensions (W x H x D) 138.4 × 98.4 × 88.4 mm
  • Weight (Physique Solely) Approx. 588 g (670 g with card and battery)

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