Fujifilm X-T5 Evaluate | Pictures Weblog


Introduction

The Fujifilm X-T5 is a flagship APS-C sensor mirrorless digital camera which was launched in November 2022. It successfully replaces the two-year-old X-T4 mannequin.

The X-T5 has a 40.2 megapixel, APSC sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor and X-Processor 5 picture processing engine, and an prolonged ISO vary of 64-51,200.

It’s able to recording 6.2K/30p and DCI 4K video at as much as 60p in 4:2:0 8-bit internally and 4:2.2 10-bit externally through HDMI for as much as 160 minutes.

The XT5 can shoot blackout-free at 20fps with steady phase-detect auto-focus and auto-exposure when utilizing the digital shutter with a 1.29x crop utilized and 15fps steady capturing when utilizing the mechanical shutter.

Different key options embrace 5-axis in-body picture stabilisation (IBIS) which supplies as much as 7 shutter steps of compensation for stills, a 3.68M-dot OLED digital viewfinder with 0.75x magnification and 100fps refresh fee, a tilting 3-inch touchscreen LCD with 1.84-million-dot decision, and twin UHS-II SD reminiscence card slots.

There are 425 AF factors with part detection pixels throughout your entire body and the auto-focus algorithm has been improved in order that it is 3x sooner and affords higher eye/face detection than the X-T4.

The X-T5 can routinely detect animals, birds, automobiles, bikes, planes and trains due to the X-Processor 5’s AI deep studying capabilities.

That is the second ever X-Collection digital camera to characteristic Pixel Shift Multi-Shot, with the digital camera routinely combining 20 photographs to ship 160 megapixel pictures for the last word high quality when element actually issues.

The XT5 moreover affords an ultra-fast digital shutter that’s able to exposures as much as 1/180000sec, publicity compensation as much as ±5 stops, wi-fi and Bluetooth connectivity, 740-shot battery life and USB-C charging, interval timer capturing, in-camera uncooked conversion, a number of publicity and panoramic capturing modes, and a variety of filter results and movie simulation modes.

The Fujifilm X-T5 is obtainable in both Black or Silver priced at £1699 / $1799 for the digital camera physique solely within the UK and US respectively. The XT5 is designed and manufactured in Japan.

Ease of Use


Fujifilm X-T5

The brand new X-T5 concentrates on delivering sheer decision and excessive ranges of element by utilising precisely the identical 40-megapixel X-Trans CMOS 5 HR sensor that first made its debut within the Fuji X-series digital camera vary with the current launch of the X-H2.

It is a BSI (back-side illuminated) sensor design that has rather more of a give attention to element and backbone than out-and-out velocity, backed up by the inclusion of the particular Pixel Shift Multi Shot mode which creates 160 megapixel pictures.

Beforehand solely seen on the X-H2 and the corporate’s GFX-branded medium-format cameras, within the Pixel Shift Multi-Shot the digital camera information 20 frames, shifting the sensor by 0.5 pixels between every body.

The ensuing pictures are then routinely mixed into one DNG RAW file, which will be output to a desired file format utilizing appropriate RAW processing software program.

The 40 megapixel sensor permits the XT5 to file 6.2K/30p video, however regardless of utilizing the identical sensor, it surprisingly cannot additionally match the best high quality 8K/30p mode supplied by the X-H2.

In case you do not just like the much less conventional, much less Fuji-like person interface or the fairly eye-watering price-tag of the X-H2 however you continue to need the highest-resolution cropped-sensor digital camera in the marketplace, the XT5 is the one to spring for.

It’s just about equivalent to its predecessor, the X-T4, retaining the entire conventional dials and controls that Fuji customers have come to know and love, together with the basic Fujifilm ISO, Shutter Pace and Publicity Compensation dials on high of the digital camera.

The XT5 weighs 476g or 557g with a battery fitted, making it 50g lighter than the XT4.


Fujifilm X-H2

Measuring 129.5 x 91x 63.8mm, the brand new X-T5 is barely smaller than the X-T4 (which measures 134.6 x 92.8 x 63.8mm) , though not by that a lot.

It is truly virtually as small and transportable as the unique X-T1 mannequin, simply measuring 16mm deeper due to the IBIS unit and bigger capability battery.

In case you’re a long-time person of the XT-series than you will not discover an excessive amount of distinction between the entire fashions regards to their in dimension, weight or management layouts.

The X-T5 has a big, sculpted hand-grip on the entrance. You may positively match three fingers on it, possibly even 4 relying in your hand dimension, together with your little finger naturally curling beneath the underside of the physique. There’s additionally a distinguished grip on the rear of the digital camera on your proper thumb.

A textured faux-leather floor runs across the full width of the digital camera, with two metallic eyelets on both facet of the physique used for connecting the equipped shoulder strap.

Fujifilm’s ethos with its flagship X-T cameras has lengthy captured the creativeness of ‘puristphotographers. One of many first issues you’ll discover concerning the X-T5 is the stable metallic high plate adorned with dials to manage ISO, shutter velocity and publicity compensation.

Add an X-series lens with aperture ring to the equation and you’ve got direct entry to the important thing publicity controls with no need to eye a display. As soon as acclimatised to this ‘conventional’ type of operation, it is onerous to return (or ought to we are saying ahead) to the ‘fashionable’ approach. For us, this dealing with method is refreshing.

However the Fuji XT5 is actually no dinosaur. with a change underneath the shutter velocity dial providing a selection between Nonetheless and Film capturing. It is a digital camera that absolutely embraces each images and video.


Fujifilm X-T5

The Nonetheless/ Film change swaps between devoted in-camera menu techniques, so you do not have to scroll by means of extreme video choices when all you need to do is images, and vice versa, and the menu system for each disciplines is rather well laid out.

Usually, navigating by means of this many capturing choices to the one that you really want is painful. But, the in-camera video mode menu is damaged down logically into three sub teams; decision, body fee and bit fee so you possibly can choose the mixture that you simply need.

A pleasant contact is that the entrance and rear management wheels can now be used quietly in film mode to make adjustments to publicity settings, even throughout seize. (The highest dials are redundant in video mode.) Together with the touchscreen menu, most different key video controls reminiscent of white steadiness and picture stabilisation will be adjusted too.

The X-H2 affords a barely higher video mode than the X-T5 and is the one to purchase in the event you’re predominantly a videographer, though this new mannequin actually provides it a run for its cash.

The XH2 affords a highest high quality fee of 8K/30p with no crop recorded in 4:2:2 10-bit internally for about 160 minutes, whereas the XT5 cannot file in any respect in 8K, regardless of utilizing the identical sensor, topping out at 6.2K/30p with a modest 1.23x crop recorded in 4:2:2 10-bit internally.

Each cameras assist as much as DCI 4K/60p recording with no cropping, and each can shoot 1080/240p slow-motion footage. In addition they provide the brand new F-Log 2 profile with as much as 14+ stops of dynamic vary.

Mixed with a suitable HDMI recording system from Atomos or Blackmagic Design, 12-bit RAW video output from each cameras will be recorded as Apple ProRes RAW or Blackmagic RAW.

In addition they characteristic a digital zoom perform that makes use of the digital camera’s 40.2MP sensor to ship as much as 2x of digital zoom with little to no loss in decision, when recording video in 4K.


Fujifilm X-H2

The X-H2 has a a lot bigger buffer, although, which will increase the utmost obtainable have an effect on bit fee for video compared with the X-T5.

Additionally, you possibly can’t match an exterior cooling fan to the XT5, in contrast to the XH2, and since it is considerably smaller there isn’t any full dimension HDMI port or 3.5mm headphone socket on the XT5 both.

The X-T5 affords a barely completely different normal sensitivity vary of ISO 125 to ISO 12,800 to the X-T4, which will be expanded right down to ISO 64 and as much as ISO 51,200.

This makes the X-T5 nicely suited to low-light capturing, permitting you to hand-hold the digital camera in locations the place you’d normally be reaching for a tripod or different assist.

Fuji’s intelligent ISO Auto Management setting means that you can set a most sensitivity (as much as 6400) and a minimal shutter velocity (1/thirtieth is an efficient start line), with the digital camera over-riding your ISO selection if it thinks you are being too bold while sustaining a shutter velocity that will not introduce digital camera shake.

The picture sensor used within the X-T5 is the following technology 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor, making its second look within the Fuji X-series digital camera vary.

Though it could actually’t match as much as the headline-grabbing 40fps steady capturing velocity supplied by the X-H2S and its stacked sensor, the brand new XT5 is actually no slouch in terms of burst sequences.

This new mannequin affords precisely the identical burst capturing charges because the X-H2. They will each shoot at 20fps when utilizing the digital shutter, with a 1.29x crop utilized, and each provide the identical 15fps steady capturing velocity when utilizing the mechanical shutter.


Fujifilm X-H2

There may be one crucial distinction between them, although, and that is the dimensions of the inner buffer.

Whereas the XH2 can file as much as 1000+ JPEGs or 400 RAW information at 20fps, the X-T5 can solely handle a relatively meager 119+ JPEGs or 19 RAW information earlier than the continual capturing fee begins to decelerate.

Compared to its predecessor, the X-T4 was one thing of a velocity demon when it was launched in 2020, a lot in order that it truly nonetheless out-performs the brand new X-T5.

It may well shoot at 20fps when utilizing the digital shutter with none crop, or 30fps with a 1.25x crop utilized, whereas the XT5 can solely shoot at as much as 20fps when utilizing the digital shutter, and that is with a 1.29x crop utilized.

To assist with capturing the exact second, the X-T5 has a intelligent Pre-shot burst capturing mode, with the digital camera continuously filling the buffer whereas your half-press the shutter button, after which maintaining the latest ones taken 0.5-1 seconds earlier than a full press of the shutter button, eliminating any digital camera and human-added delay. Word that this characteristic solely works with the digital shutter.

Because of its 40 megapixel sensor, the XT5 affords a larger variety of PDAF factors (3.3 million) than the XT4. Fujifilm say that the brand new mannequin is not fairly as quick at monitoring shifting topics because the flagship X-H2S, although, due to that digital camera’s stacked sensor.

The X-T5 truly has two sorts of shutter, mechanical and digital. When utilizing its mechanical focal-plane shutter, it has a high shutter-speed restrict of 1/8000th second in all capturing modes.

There isn’t any built-in ND filter, so if you wish to use a really quick lens in very brilliant daylight when utilizing the mechanical shutter, then it is a good suggestion to purchase an precise glass ND filter.

It significantly improves the quickest shutter velocity for the digital shutter by 2.5 stops, from 1/32000 sec on the earlier technology XT4 to a exceptional 1/180,000 sec on the XT5.


Fujifilm X-H2

This permits customers to go away the aperture extensive open in very brilliant circumstances reminiscent of a sunny seaside or a ski slope, or to seize a split-second movement.

This lets you proceed capturing wide-open with quick aperture lenses within the brightest of circumstances with out having to resort to becoming a glass ND filter or utilizing an exterior flash and lights.

The X-T5 has a flash-sync velocity of 1/250th second with the mechanical shutter and 1/a hundred and twenty fifth second with the digital shutter.

To make the digital camera even much less obtrusive, when the digital shutter is chosen there is a Silent menu choice which turns off the speaker, flash, AF-assist lamp and most significantly the shutter-release sound, immediately making the X-T5 completely suited to extra candid images.

It is all very nicely with the ability to file at 20fps, however except the digital camera can rapidly, precisely and reliably give attention to no matter fast-moving topic you are attempting to seize, it is all for nothing.

Fortunately, though the brand new X-T5 has the identical hybrid autofocus system with as much as 425 selectable part detection and and distinction detections factors because the X-H1, X-T4 and X-Pro3 fashions, Fujifilm have made quite a few actually important enhancements to make it their finest AF system but.

Chief amongst these is the inclusion of subject-based computational AI, with the XT5 with the ability to routinely detect animals, birds, vehicles, bikes and bikes, airplanes and practice.

You do must particularly select which of these you need to observe from the Topic Detection Setting menu, however you possibly can simply register completely different settings to the digital camera’s varied customized modes.


Fujifilm X-H2

Turning this characteristic on resulted in a super-high hit fee when it comes to auto-focusing, with the digital camera typically in a position to give attention to the topic earlier than we would even noticed it ourselves.

The improved auto-focus algorithm that is claimed to be 3x sooner than the X-T4 and notably the topic detection modes assist to make sure that the overwhelming majority of your pictures are sharp.

The XT5 is the sixth Fujifilm digital camera to characteristic 5-axis in-body picture stabilisation (IBIS), following on from the X-H1, X-H2, X-H2S, X-T4 and the X-S10.

The X-T4 supplies as much as 6.5 shutter steps of compensation for stills, whereas the X-T5 supplies as much as a most of seven stops, half a cease higher and the joint-best of any present Fujifilm digital camera with the X-H2 and X-H2S.

The XT5 has the identical superb 3.68M-dot OLED digital viewfinder, 100fps refresh fee and a built-in eye sensor because the X-T4, however the EVF on the XT5 affords barely larger magnification (0.80x vs 0.75x).

The even higher OLED digital viewfinder on the X-H2 has larger 5.76M-dot decision, bigger 0.80x magnification and a sooner 120fps refresh fee.

One of many greatest variations between the brand new X-T5 and the X-T4 and X-H2 cameras is the motion of the LCD display.

Fujifilm have gone again to a 3-way tilting LCD on the XT5, fairly than the vari-angle display on the XT4 and XH2, saying that it higher matches the extra stills-focused nature of the newer mannequin.


Fujifilm X-H2

The decision of the display has been elevated barely from 1.62M-dots to 1.84M-dots, truly making it the highest-res display of any present Fujifilm APS-C digital camera.

The X-T5 options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a continuing, low-power connection between the digital camera and a smartphone/pill to switch pictures and video utilizing the Fujifilm Digicam Distant smartphone app, whereas the previous means that you can remotely management the X-T5 through both a 2.4Ghz or 5GHz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch pictures and video from one system to the opposite.

The X-T5 has twin reminiscence card slots, simply the X-T4, and similar to the X-T4 it has two UHS-II SD card slots, fairly than one UHS-II SD slot and one CFexpress Kind B slot as seen on the current X-H2S and X-H2 cameras.

Regardless of the X-T5 utilizing precisely the identical NP-W235 batteries because the X-T4, Fujifilm are claiming that it affords 740 shot battery life in financial system mode, which is definitely 20% higher than the XT4.

Each cameras will also be powered and charged through a USB-C connection, which is helpful in the event you’re out and about and have a suitable power-bank to plug the digital camera into.

Maybe considerably controversially, the brand new X-T5 doesn’t assist a vertical battery grip (there aren’t any contacts on the underside of the digital camera).

Fujifilm say that is primarily based on market information for the X-T4 which confirmed that almost all of householders didn’t purchase one.

As a substitute you should purchase the non-obligatory MHG-XT5 metallic hand grip in the event you really feel than the physique by itself is simply too small.


Fujifilm X-H2

Word that there’s a Vertical Battery Grip (VBG-XH) obtainable for the X-H2 mannequin which accepts two NP-W235 rechargeable lithium-ion batteries to increase the life for as much as 1700 frames between recharges.

The earlier X-T4 additionally helps a vertical battery grip, which in addition to making dealing with simpler in portrait mode, once more tremendously will increase the obtainable battery life.

A metallic tripod mount is positioned inline with the centre of the lens and much away from the battery/reminiscence card compartment, so you do not have to take away the digital camera from the tripod to alter the battery.

The brand new Fujifilm X-T5 retains the basic retro styling and management format of its predecessor however makes use of the identical fifth technology sensor and processor because the X-H2.

Subsequently it represents an enormous step ahead in some ways for the XT-series, from the 40 megapixel decision to limitless 4K/60p recording with no crop, and from the sooner, AI-driven AF system that may recognise much more topics to the improved EVF and IBIS.

The XT5 supplies precisely the identical picture high quality because the XH2, however it would not provide 8K video recording, has a a lot smaller buffer, makes use of slower reminiscence playing cards, has a lower-spec EVF, would not have full dimension HDMI or 3.5mm headphone sockets, and would not assist an exterior cooling fan or a vertical grip.

Picture High quality

All the pattern pictures on this evaluate had been taken utilizing the 40.2 megapixel Wonderful JPEG setting, which supplies a median picture dimension of round 18Mb.

The Fujifilm X-T5 produced pictures of excellent high quality. It information noise-free JPEG pictures from ISO 64 as much as ISO 3200, with somewhat noise at ISO 6400 and extra seen noise on the sooner settings of ISO 12800 and 25600 (ISO 51200 is finest averted), a tremendous efficiency for a digital camera with a 40 megapixel APS-C sensor. The RAW information had been additionally glorious, exhibiting extra noise than their JPEG counterparts however nonetheless producing very usable pictures from ISO 64-6400.

The night time {photograph} was glorious, with the utmost shutter velocity of 30 seconds being lengthy sufficient for many after-dark photographs, and the Bulb mode permitting for much longer exposures if required. The Dynamic Vary and HDR settings subtly enhance element within the shadows and highlights, whereas the intensive vary of Movie Simulation modes hark again to a bygone period, and the Superior Filters can help you have somewhat enjoyable together with your pictures in-camera.

Noise

There are 11 full ISO settings obtainable on the Fujifilm X-T5 for JPEGs and RAW information. Listed below are some 100% crops which present the noise ranges for every ISO setting.

File High quality

The Fujifilm X-T5 has 2 completely different picture high quality settings obtainable, with Wonderful being the best high quality choice. Listed below are some 100% crops which present the standard of the varied choices, with the file dimension proven in brackets.

Wonderful (18Mb) (100% Crop) Regular (9.1Mb) (100% Crop)
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RAW (85.5Mb) (100% Crop)
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Evening

The Fujifilm X-T5’s most shutter velocity is 30 seconds within the Time shutter velocity mode, and there is a Bulb mode which permits exposures as much as 60 minutes lengthy, which is good news in the event you’re severely thinking about night time images. The shot beneath was taken utilizing a shutter velocity of 15 seconds at ISO 125.

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Pixel Shift Multi Shot

Pixel Shift is a particular Multi-Shot perform that can be utilized to create 160 megapixel pictures!

The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in varied instructions in the course of the sequence of 20 photographs.

You then must obtain the Pixel Shift Combiner software program from Fujifilm.com, manually choose the 20 information that make up every Pixel Shift shot, and the software program will then routinely mix them right into a single DNG file.

A number of Publicity

The Fujifilm X-T5’s A number of Publicity mode combines as much as 9 completely different pictures collectively in-camera to create one composite picture, with 4 alternative ways of mixing them – Additive, Common, Vibrant, Darkish.

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Dynamic Vary

The Fujifilm X-T5 has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.

These settings step by step improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Word that you may’t truly flip this characteristic off. All three settings can be found from ISO 500 upwards.

HDR

The Fujifilm X-T5 has a Excessive Dynamic Vary mode with 5 completely different settings – AUTO, 200%, 400%, 800%, 800%+. The digital camera takes three photographs with completely different exposures, altering the shutter velocity for every one, after which combining them in-camera.

Movie Simulations

The Fujifilm X-T5 affords 19 completely different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous.

Superior Filters

The Fujifilm X-T5 affords 13 completely different artistic filter results which will be previewed on the LCD display and/or within the EVF earlier than taking a photograph.

Toy Digicam

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Miniature

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Pop Colour

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Excessive-Key

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Low-Key

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Dynamic Tone

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Delicate Focus

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Partial Colour (Pink)

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Partial Colour (Orange)

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Partial Colour (Yellow)

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Partial Colour (Inexperienced)

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Partial Colour (Blue)

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Partial Colour (Purple)

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Pattern Photographs

It is a collection of pattern pictures from the Fujifilm X-T5 digital camera, which had been all taken utilizing the 40.2 megapixel Wonderful JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any approach.

Pattern RAW Photographs

The Fujifilm X-T5 permits customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail pictures proven beneath aren’t 100% consultant).

Pattern Films & Video

It is a pattern 6.2K film on the high quality setting of 6240×3150 pixels at 30 frames per second. Please be aware that this 15 second film is 192Mb in dimension.

It is a pattern 4K DCI HQ film on the high quality setting of 40960×2160 pixels at 30 frames per second. Please be aware that this 16 second film is 204Mb in dimension.

It is a pattern 4K DCI film on the high quality setting of 4096×2160 pixels at 30 frames per second. Please be aware that this 15 second film is 192Mb in dimension.

It is a pattern 4K HQ film on the high quality setting of 3840×2160 pixels at 30 frames per second. Please be aware that this 16 second film is 204Mb in dimension.

It is a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please be aware that this 16 second film is 204Mb in dimension.

It is a pattern 1080p Full HD film on the high quality setting of 1920×1080 pixels at 60 frames per second. Please be aware that this 15 second film is 192Mb in dimension.

It is a pattern Full HD 8x slow-motion film on the high quality setting of 1920×1080 pixels at 240 frames per second. Please be aware that this 120 second film is 369Mb in dimension.

It is a pattern Full HD 8x slow-motion film on the high quality setting of 1920×1080 pixels at 240 frames per second. Please be aware that this 88 second film is 272Mb in dimension.

Product Photographs

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Fujifilm X-H2
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Conclusion

2022 has been an enormous yr for Fujifilm, with the launch of not one, not two, however three flagship APS-C cameras within the equivalent shapes of the X-H2 and X-H2S and now the model new X-T5.

Whereas the previous two fashions largely eschewed the normal dials and controls that Fuji customers have come to know and love, the XT5 marks a return to the acquainted control-heavy method that the XT-series has lengthy been recognized for, together with the now basic Fujifilm ISO, Shutter Pace and Publicity Compensation dials discovered on high of the digital camera.

In actual fact, the brand new Fujifilm X-T5 basically retains the basic retro styling and management format of its XT4 predecessor and combines it with the identical fifth technology sensor and processor as utilized by the X-H2, thereby offering precisely the identical stills picture high quality as its dearer sibling.

These would-be-buyers who had been hoping for an XH2 in XT-series clothes might be principally, however not solely, happy with what the X-T5. What it notably would not provide when in comparison with the XH2 is 8K video recording, which appears to purely be a advertising fairly than technical choice on the a part of Fujifilm.

Additionally in direct comparability the XT5 has a a lot smaller buffer, makes use of slower reminiscence playing cards, has a lower-spec EVF, would not have full dimension HDMI or 3.5mm headphone sockets, and would not assist an exterior cooling fan or a vertical grip, some or all of which can persuade you to forgo the XT5’s conventional controls in alternate for the undoubtedly higher specification supplied by the X-H2.

In comparison with its predecessor, the XT4, which lots of people could also be trying to improve from, the brand new XT5 represents an enormous step ahead in some ways for the XT-series, from the 40 megapixel decision with 160mp pixel-shift mode to limitless 4K/60p recording with no crop, and from the sooner, AI-driven AF system that may recognise much more topics to the improved EVF, much more succesful IBIS and longer battery life.

The X-T4 was one thing of a velocity demon when it was launched in 2020, a lot in order that it truly nonetheless out-performs the brand new X-T5. Fujifilm have additionally gone again to a 3-way tilting LCD on the brand new X-T5, fairly than the vari-angle display on the X-T4, saying that it higher matches the extra stills-focused nature of the newer mannequin. And once more the dearth of a vertical grip choice for the newer mannequin is unquestionably a courageous advertising selection on the a part of Fuji.

There’s solely a comparatively small value distinction between them, with the brand new Fujifilm X-T5 is priced at £1699 / $1799 body-only within the UK and USA respectively and the equally specced Fujifilm X-H2 costing £1899 / $1999 physique solely, making it simply £$200 greater than the XT5.

General, the Fujifilm X-T5 actually succeeds in combining the much-loved design of its predecessors with the cutting-edge specification of the X-H2 at a extra aggressive price-point, and is subsequently worthy of our coveted Important award.

5 stars

Scores (out of 5)
Design 5
Options 4.5
Ease-of-use 4.5
Picture high quality 5
Worth for cash 4.5

Foremost Rivals

Listed beneath are a number of the rivals of the Fujifilm X-T5.

Canon is again within the APS-C sport with the much-anticipated launch of the EOS R7, a really succesful prosumer digital camera with a transparent give attention to velocity. Billed because the mirrorless successor to the a lot liked EOS 7D Mark II DSLR, does the brand new R7 have what it takes to compete towards the likes of Fujifilm and Sony? Discover out now by studying our in-depth Canon R7 evaluate…

After 4 lengthy years of patiently ready, the Fujifilm X-E4 has lastly arrived. Boasting all of Fuji’s newest imaging tech wrapped up in an exquisite basic rangefinder design, might this small, light-weight and really inexpensive mirrorless digital camera be the suitable one for you? Discover out now by studying our in-depth Fuji XE4 evaluate, full with full-size pattern photographs…

The X-H2 is the best decision APS-C digital camera that Fujifilm have ever launched, providing a 40 megapixel BSI sensor that may file 8K/30p video and shoot burst sequences at 20fps. Discover out precisely what this new flagship digital camera is able to and who it is geared toward by studying our full Fuji XH2 evaluate full with full-size JPEG, Uncooked and video samples.

The X-H2S is the quickest, most succesful APS-C sensor digital camera that Fujifilm have ever launched, however it’s additionally by far the costliest. Discover out precisely what this new flagship digital camera is able to and who it is geared toward by studying our full Fuji XH2S evaluate full with full-size JPEG, Uncooked and video samples.

The Fujifilm X-S10 mirrorless digital camera goals to deliver the famend X-series picture high quality and color science to a wider viewers by being smaller, simpler to make use of and cheaper than the corporate’s flagship cameras. Does it strike the suitable steadiness between simplicity and accessibility? Discover out now by studying our in-depth Fuji XS10 evaluate…

The Fujifilm X-T4 is the successor to the very talked-about X-T3, which was launched in 2018, principally including in-body picture stabilisation, tremendously improved battery life, a faster and quieter mechanical shutter, enhanced steady AF and quite a few design tweaks. Can the brand new X-T4 enhance on what was already an excellent digital camera? Discover out now by studying our in-depth Fujifilm X-T4 evaluate…

Nikon have launched their second APS-C, cropped-sensor mirrorless digital camera with the launch of the Z fc. Virtually equivalent to the Z50 mannequin when it comes to its key specs, the brand new Z fc affords a way more retro, basic design. Learn our in-depth Nikon Z fc evaluate to seek out out if it is the right mix of outdated and new…

The brand new OM-1 flagship is each the final ever Olympus digital camera and the primary ever OM System digital camera. Confused? Properly no want to fret, as we take an in-depth have a look at what this new Micro 4 Thirds flagship has to supply in our OM System OM-1 evaluate, full with full-size pattern photographs and movies…

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Evaluate Roundup

Opinions of the Fujifilm X-T5 from across the internet.

Few cameras have captured photographers’ imaginations fairly like Fujifilm’s premium X-T fashions. Ever for the reason that unique X-T1 appeared again in 2014, they’ve discovered favour attributable to their compact dimension, strong weather-sealed building, and conventional analogue management dials. Newest within the vary is the Fujifilm X-T5, which makes use of the identical 40MP picture sensor because the current Fujifilm X-H2. However whereas that mannequin was geared toward hybrid shooters equally thinking about each stills and video, the X-T5 is concentrated totally on the wants of stills photographers.

Learn the complete evaluate »

Specs

Mannequin title FUJIFILM X-T5
Lens Mount FUJIFILM X mount
Picture sensor 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with main shade filter
Variety of efficient pixels 40.2 hundreds of thousands pixels
Sensor Cleansing System Extremely Sonic Vibration
Picture Processing Engine X-Processor 5
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90
*Please examine Compatibilityfor extra element.
File format of nonetheless picture DCF Compliant with Design rule for Digicam File system (DCF2.0)
JPEG Exif Ver.2.32*1
HEIF 4:2:2 10bit
RAW 14bit RAW (RAF unique format)
TIFF 8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels [L] 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
[M] 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
[S] 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama [L] 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440
[M] 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440
Digital Tele-Converter 2.0x / 1.4x / OFF
Sensitivity Nonetheless Picture Normal Output: AUTO1 / AUTO2 / AUTO3 /ISO125 – 12800 (1/3 step)
Prolonged Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Film Normal Output: AUTO / ISO125 – 12800 (1/3 step)
Prolonged Output: ISO25600
Publicity management TTL 256-zone metering / Multi / Spot / Common / Heart Weighted
Publicity mode P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Handbook Publicity)
Publicity compensation Nonetheless -5.0EV – +5.0EV 1/3EV step
Film -2.0EV – +2.0EV 1/3EV step
Picture stabilizer Mechanism Picture sensor shift mechanism with 5-axis compensation
Compensation Impact 7.0 stops
*primarily based on CIPA normal
*Pitch/yaw shake solely
*With XF35mmF1.4 R lens mounted
Digital Picture Stabilization Sure (film mode solely)
IS MODE BOOST Sure (film mode solely)
Shutter sort Focal Aircraft Shutter
Shutter velocity Mechanical shutter P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Digital shutter P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Mounted
Digital entrance curtain shutter P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
Mechanical + Digital shutter P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Mechanical shutter works till 1/8000sec.
E-front + Mechanical shutter P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec.
E-front + Mechanical + Digital shutter P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/2000sec, Mechanical shutter works till 1/8000sec.
*The Digital Shutter will not be appropriate for fast-moving objects or handheld capturing. Flash can’t be used.
Film 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec.
*Can’t select slower shutter velocity than framerate for some settings.
Synchronized shutter velocity for flash Mechanical shutter: 1/250sec. or slower
Steady capturing CH Digital shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames)
CH Digital shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames)
CH Digital shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames)
CH Digital shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames)
CH Digital shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames)
CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames)
CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames)
CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames)
Pre-shot Digital shutter Approx. 20fps (1.29x Crop) (Whereas half press 20 frames, After full press 140 frames)
Pre-shot Digital shutter Approx. 13fps (1.29x Crop) (Whereas half press 13 frames, After full press 300 frames)
Pre-shot Digital shutter Approx. 10fps (1.29x Crop) (Whereas half press 10 frames, After full press 370 frames)
Pre-shot Digital shutter Approx. 13fps (Whereas half press 13 frames, After full press 70 frames)
*Recordable frames is determined by recording media
*Pace of steady capturing is determined by capturing setting and capturing frames
Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing Any 3 forms of movie simulation selectable
Dynamic Vary Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Steadiness Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
A number of Publicity Sure (Max. 9 frames) / Additive / Common / Vibrant / Darkish
HDR Mode AUTO / 200% / 400% / 800% / 800% +
Superior filter Toy digital camera / Miniature / Pop shade / Excessive-key / Low-key / Dynamic tone / Delicate focus / Partial shade (Pink / Orange / Yellow / Inexperienced / Blue / Purple)
Pixel Shift Multi Shot Sure
Focus Mode Single AF / Steady AF / MF
Kind Clever Hybrid AF (TTL distinction AF / TTL part detection AF)
Low-light Efficiency Distinction: -4.0EV XF50mmF1.0 hooked up
Part Detection: -7.0EV XF50mmF1.0 hooked up
AF body choice Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Extensive/Monitoring AF: Sure (AF-S: Extensive / AF-C: Monitoring)
All: Sure
Face/eye detection Sure
Topic detection Sure (Animal/Chicken/Vehicle/Motorbike&Bike/Airplane/Practice)
Flash EF-X8 Information Quantity: approx. 11 (ISO200・m) / approx. 8 (ISO100・m)
Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is about / OFF
Synchronized terminal Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: MANUAL
Scorching shoe Sure (Devoted TTL Flash suitable)
Viewfinder EVF: 0.5 inch OLED Colour Viewfinder, Approx. 3.69 million dots
Protection of Viewing Space vs. Capturing Space: Approx. 100%
Eyepoint: Approx. 24mm (from the Rear Finish of the Digicam’s Eyepiece)
Diopter Adjustment: -5 – +3m-1
Magnification: 0.80x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° )
Constructed-In Eye Sensor
LCD monitor 3.0 inch Tilt-Kind(Three Path) Contact Display screen Colour LCD Monitor
Facet Ratio: 3:2
Dots: Approx. 1.84 million dots
Contact Display screen Mode Capturing Mode Capturing, AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), Contact Zoom (ON/OFF), EVF Contact Display screen Space Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Film recording File format MOV:
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Film compression All Intra / Lengthy GOP
File dimension

Body fee

Bitrate
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording)
[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording)
*For recording films, use a SD reminiscence card with UHS Pace Class 3 or larger.
*For recording films in 360Mbps, use a SD reminiscence card with Video Pace Class 60 or larger.
*Selectable bitrate might be modified is determined by the setting.
*Recording time can turn into brief relying on the temperature and/or capturing circumstances
Movie simulation mode 19 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Delicate, Basic Chrome, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour Sure
Grain Impact Roughness STRONG, WEAK, OFF
Measurement LARGE, SMALL
Colour Chrome Impact STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Easy Pores and skin Impact STRONG, WEAK, OFF
Dynamic vary setting Nonetheless AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
Film 100% / 200% / 400%
ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
White steadiness Auto White Precedence / Auto / Atmosphere Precedence
Customized Custom1 – 3
Colour temperature choice 2500K – 10000K
Preset Daylight / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting ±5 steps
Self-timer Nonetheless 10sec. / 2sec.
Film 10sec. / 5sec. / 3sec.
Interval timer capturing Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing, Interval precedence mode)
Wi-fi transmitter Normal IEEE802.11a/b/g/n/ac (normal wi-fi protocol)
Encryption WPA/WPA2 blended mode, WPA3
Entry mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Heart frequency) 2402 – 2480MHz
Terminal Digital interface USB Kind-C (USB3.2 Gen2x1)
HDMI output HDMI Micro connector (Kind D)
Others ø3.5mm, stereo mini connector (Microphone)
ø2.5mm, Distant Launch Connector
Scorching shoe
Synchronized terminal
Energy provide NP-W235 Li-ion battery (included)
Battery life for nonetheless pictures*2 Financial system Mode: Approx. 740 frames
Regular Mode: Approx. 580 frames
*When XF35mmF1.4 R is about
Precise battery lifetime of film seize*2 6.2K: Approx. 90min. (29.97p)
4K: Approx. 80min. (59.94p)
Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P)
*Face detection is about to OFF
Continuance battery lifetime of film seize*2 6.2K: Approx. 130min. (29.97p)
4K: Approx. 130min. (59.94p)
Full HD: Approx. 150min. (59.94p)
*Face detection is about to OFF
Dimensions Width: 129.5mm
Top: 91mm
Depth: 63.8mm
(Minimal Depth: 37.9mm)
Weight together with battery and reminiscence card: Approx. 557g
excluding battery and reminiscence card: Approx. 476g
Operation Setting Working Temperature -10℃ – +40℃
Working Humidity 10% – 80% (no condensation)
Beginning up interval Approx. 0.49sec.
Equipment included Li-ion battery NP-W235
AC energy adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Physique cap
Scorching shoe cowl
Sync terminal cowl
Proprietor’s handbook
  • *1 Exif 2.32 is a digital digital camera file format that comprises quite a lot of capturing data for optimum printing
  • *2 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Normal.

Film Specification

Media Rec (SD reminiscence card)

Decision/Facet Measurement Body fee File format/Compression Bit fee*1 Bit depth HDMI outupt
Decision(Body fee)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
360Mbps 10bit FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV chosen)*2
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV chosen)*2
Not
attainable
1.23x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*2
4K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*2
Not
attainable
1.23x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
360Mbps 10bit DCI4K/4K 4:2:2 10bit Not
attainable
1.23x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
360Mbps
200Mbps
100Mbps
50Mbps
Not
attainable
1.23x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit Not
attainable
1.23x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
Not
attainable
1.23x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
360Mbps 10bit DCI4K/4K 4:2:2 10bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
360Mbps 10bit FHD 4:2:2 10bit*3 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit FHD 4:2:2 8bit*3 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
Excessive velocity
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
240fps(4×/8×/10×)
200fps(4×/8×)
120p (2x/4x/5x)
100p (2x/4x)
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
360Mbps (when recording) 10bit FHD(59.94p) 4:2:2 10bit*4 Not
attainable
1.23x
H.265 Lengthy GOP 4:2:2 MOV
H.265 Lengthy GOP 4:2:0 MOV
360Mbps (when recording)
200Mbps (when recording)
H.264 All-Intra 4:2:0 MOV 360Mbps (when recording) 8bit FHD(59.94p) 4:2:2 8bit*4
H.264 Lengthy GOP 4:2:0 MOV
H.264 Lengthy GOP 4:2:0 MP4
360Mbps (when recording)
200Mbps (when recording)

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HDMI Output

Decision/Facet Measurement Body fee HDMI outupt
Decision/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit*2 Not
attainable
1.23x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit Not
attainable
1.23x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit *3 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x

HDMI Output (Excessive velocity REC HDMI ONLY)

Decision/Facet Measurement Body fee HDMI outupt
Decision(Body fee)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
FHD 16:9 1920 x 1080 120p
100p
FHD(120p/100p) 4:2:2 10bit Not
attainable
1.23x

HDMI RAW Output

Decision/Facet Measurement Body fee Crop Magnification
DIS ON DIS OFF
6.2K 16:9 6240 x 3512 29.97p
25.00p
24.00p
23.98p
Not
attainable
1.23x
  • *1 Bit fee might be modified rely on the topic
  • *2 The decision from HDMI output is completely different from chosen setting
  • *3 When the side ratio is just not 16:9, the picture is output in 16:9 with a black band.
  • *4 The body fee from HDMI output is completely different from chosen setting

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